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	<title>Stylus Magazine &#187; October/November2009</title>
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		<title>Pompous Old Fart</title>
		<link>http://stylusmagazine.ca/archives/171</link>
		<comments>http://stylusmagazine.ca/archives/171#comments</comments>
		<pubDate>Mon, 30 Nov 2009 21:01:35 +0000</pubDate>
		<dc:creator>Jenny</dc:creator>
				<category><![CDATA[COLUMNS]]></category>
		<category><![CDATA[October/November2009]]></category>
		<category><![CDATA[Pompous Old Fart]]></category>

		<guid isPermaLink="false">http://stylusmagazine.ca/?p=171</guid>
		<description><![CDATA[MAGNETA LANE
Gambling with God
(Last Gang Records)
Gambling with God is a disc by a Canadian group called Magneta Lane. It’s not very good. The tracks feature that Antichrist of a musical effect called “fuzzy guitar.” The sound is as annoying as a lawn full of grackles or an up-close buzz saw. I don’t know what the [...]]]></description>
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		<title>Rob Vilar&#8217;s Story Time &#8211; Julianna Barwick</title>
		<link>http://stylusmagazine.ca/archives/167</link>
		<comments>http://stylusmagazine.ca/archives/167#comments</comments>
		<pubDate>Mon, 30 Nov 2009 20:58:26 +0000</pubDate>
		<dc:creator>Jenny</dc:creator>
				<category><![CDATA[COLUMNS]]></category>
		<category><![CDATA[October/November2009]]></category>
		<category><![CDATA[Rob Vilar's Story Time]]></category>

		<guid isPermaLink="false">http://stylusmagazine.ca/?p=167</guid>
		<description><![CDATA[By Rob Vilar
JULIANNA BARWICK
Florine
After a brief washroom break, I get back to my refueled Dodge and pay the gas attendant for her service.
“Where you going?” she asks.
“I don’t know. Somewhere,”  I answer.
“Getting away from something?”
“Maybe something like that,” I reply as I step into my Dodge Challenger and begin to drive off the lot.
“You come [...]]]></description>
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		<title>Weird Shit with Kent Davies &#8211;  Snacks and Weird Werewolf Shit</title>
		<link>http://stylusmagazine.ca/archives/163</link>
		<comments>http://stylusmagazine.ca/archives/163#comments</comments>
		<pubDate>Mon, 30 Nov 2009 20:56:33 +0000</pubDate>
		<dc:creator>Jenny</dc:creator>
				<category><![CDATA[COLUMNS]]></category>
		<category><![CDATA[October/November2009]]></category>
		<category><![CDATA[Weird Shit with Kent Davies]]></category>

		<guid isPermaLink="false">http://stylusmagazine.ca/?p=163</guid>
		<description><![CDATA[By Kent Davies

It’s almost Halloween again! Without a doubt, it’s the most wonderful time of the year. Instead of playing that tired K-Mart haunted house soundtrack, why don’t you check out a monster movie music blog that can’t be beat? Dwrayger Dungeon presents: Monster Movie Music and More, a site where hosts Eegah!! and Tabonga! [...]]]></description>
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		<title>The Warped 45&#8217;s &#8211; Ten Day Poem for Saskatchewan</title>
		<link>http://stylusmagazine.ca/archives/152</link>
		<comments>http://stylusmagazine.ca/archives/152#comments</comments>
		<pubDate>Mon, 30 Nov 2009 20:22:29 +0000</pubDate>
		<dc:creator>Jenny</dc:creator>
				<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[October/November2009]]></category>

		<guid isPermaLink="false">http://stylusmagazine.ca/?p=152</guid>
		<description><![CDATA[The Warped 45’s debut full-length album is marred by several problems. From the opening title track, there seems to be an issue with the way the album was mixed. The band is loud, and their loudness renders Dave McEathron’s singing incomprehensible. After fiddling with my levels a bit, the problem was not related to the [...]]]></description>
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		<title>Voivod &#8211; Infini</title>
		<link>http://stylusmagazine.ca/archives/149</link>
		<comments>http://stylusmagazine.ca/archives/149#comments</comments>
		<pubDate>Mon, 30 Nov 2009 20:21:47 +0000</pubDate>
		<dc:creator>Jenny</dc:creator>
				<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[October/November2009]]></category>

		<guid isPermaLink="false">http://stylusmagazine.ca/?p=149</guid>
		<description><![CDATA[This album from the legendary Canadian metal band Voivod is their final album ever. Deciding to call it quits after the 2005 death of guitarist Denis “Piggy” D’Amour, the band uses this album as a final tribute to an underrated metal guitarist. Continuing the tradition started with 2006’s Katorz, the band takes D’Amour’s last recorded [...]]]></description>
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		<title>Sylosis &#8211; Conclusion of an Age</title>
		<link>http://stylusmagazine.ca/archives/146</link>
		<comments>http://stylusmagazine.ca/archives/146#comments</comments>
		<pubDate>Mon, 30 Nov 2009 20:21:14 +0000</pubDate>
		<dc:creator>Jenny</dc:creator>
				<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[October/November2009]]></category>

		<guid isPermaLink="false">http://stylusmagazine.ca/?p=146</guid>
		<description><![CDATA[In this reviewer’s opinion, the British metal scene is the best in the world. While everyone fawns over the Scandinavian scene, with their over reliance on orchestration, synthesizers, and dabbling in the occult, the Brits have been making metal music the way it should be made: with balls. Sylosis, out of Reading, make a very [...]]]></description>
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		<title>Los Straitjackets &#8211; The Further Adventures of Los Straitjackets</title>
		<link>http://stylusmagazine.ca/archives/142</link>
		<comments>http://stylusmagazine.ca/archives/142#comments</comments>
		<pubDate>Mon, 30 Nov 2009 20:20:08 +0000</pubDate>
		<dc:creator>Jenny</dc:creator>
				<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[October/November2009]]></category>

		<guid isPermaLink="false">http://stylusmagazine.ca/?p=142</guid>
		<description><![CDATA[With no desire to tarnish the natural twang of a freshly-strung strat, Los Straitjackets wrote their twelfth album with the discernable goal of attempting to transport the listeners to a slightly-modernized and genre-delving sample of the &#8217;60s. The Further Adventures of Los Straitjackets is mostly a surf-rock album with many other early &#8217;60s-era rhythm and [...]]]></description>
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		<title>Shannon Stephens &#8211; The Breadwinner</title>
		<link>http://stylusmagazine.ca/archives/139</link>
		<comments>http://stylusmagazine.ca/archives/139#comments</comments>
		<pubDate>Mon, 30 Nov 2009 20:19:05 +0000</pubDate>
		<dc:creator>Jenny</dc:creator>
				<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[October/November2009]]></category>

		<guid isPermaLink="false">http://stylusmagazine.ca/?p=139</guid>
		<description><![CDATA[An old friend and former bandmate of Sufjan Stevens (no relation), Shannon Stephens’ new album, The Breadwinner, is full of hymns to domestic life, where small is beautiful and love is learned the hard way. Stephens has been covered by Bonnie “Prince” Billy on his 2008 album Lie Down in the Light, and has been [...]]]></description>
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		<title>Spiral Beach &#8211; The Only Really Thing</title>
		<link>http://stylusmagazine.ca/archives/136</link>
		<comments>http://stylusmagazine.ca/archives/136#comments</comments>
		<pubDate>Mon, 30 Nov 2009 20:18:02 +0000</pubDate>
		<dc:creator>Jenny</dc:creator>
				<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[October/November2009]]></category>

		<guid isPermaLink="false">http://stylusmagazine.ca/?p=136</guid>
		<description><![CDATA[Since their appearance in the 2008 teen film Charlie Bartlett, Toronto dance rock band Spiral Beach have gained a number of fans that probably would not have discovered their music otherwise. Since the film was a box office bomb, we can be thankful that there are not a number of bandwagon jumpers who are “totally [...]]]></description>
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		<title>Sights and Sounds &#8211; Monolith</title>
		<link>http://stylusmagazine.ca/archives/133</link>
		<comments>http://stylusmagazine.ca/archives/133#comments</comments>
		<pubDate>Mon, 30 Nov 2009 20:17:08 +0000</pubDate>
		<dc:creator>Jenny</dc:creator>
				<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[October/November2009]]></category>

		<guid isPermaLink="false">http://stylusmagazine.ca/?p=133</guid>
		<description><![CDATA[Sights &#38; Sounds are breaking into the music industry with their debut Monolith, which was produced under the knowledgeable guidance of Devin Townsend (of Strapping Young Lad fame), which is worth mentioning mostly for the subtlety and airiness of ambient passages and thunder of heavy sections that he has sculpted. The production is in the [...]]]></description>
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