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	<title>Stylus Magazine &#187; Local</title>
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		<title>Jazz for Humanity</title>
		<link>http://stylusmagazine.ca/archives/1025</link>
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		<pubDate>Thu, 03 Jun 2010 16:30:03 +0000</pubDate>
		<dc:creator>Jenny</dc:creator>
				<category><![CDATA[FEATURES]]></category>
		<category><![CDATA[Jazz]]></category>
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		<description><![CDATA[By Kaeleigh Ayre
Being a co-executive director of an organization is not something every 20-year-old can put on their resume, but Rayannah Kroeker can. The fourth-year University of Manitoba jazz voice student is an up-and-coming presence in the Winnipeg jazz scene. When she’s not in class or participating in world development conferences, she can often be [...]]]></description>
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		<title>Evil Survives &#8211; False Metal Slayers</title>
		<link>http://stylusmagazine.ca/archives/1031</link>
		<comments>http://stylusmagazine.ca/archives/1031#comments</comments>
		<pubDate>Thu, 03 Jun 2010 16:20:50 +0000</pubDate>
		<dc:creator>Jenny</dc:creator>
				<category><![CDATA[FEATURES]]></category>
		<category><![CDATA[Evil Survives]]></category>
		<category><![CDATA[June/July2010]]></category>
		<category><![CDATA[Local]]></category>
		<category><![CDATA[Metal]]></category>

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		<description><![CDATA[By Kent Davies

Local metal marauders Evil Survives perform old school New Wave of British Heavy Metal (NWOBHM) at its purest commanding form. The band was born out of the uninspired revulsion following a Children of “Boredom” gig at which they sold their souls to save metal and destroy the savage purveyors of false metal evermore. [...]]]></description>
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		<title>Label Profile: War on Music</title>
		<link>http://stylusmagazine.ca/archives/1044</link>
		<comments>http://stylusmagazine.ca/archives/1044#comments</comments>
		<pubDate>Thu, 03 Jun 2010 15:40:58 +0000</pubDate>
		<dc:creator>Jenny</dc:creator>
				<category><![CDATA[COLUMNS]]></category>
		<category><![CDATA[June/July2010]]></category>
		<category><![CDATA[Label Profile]]></category>
		<category><![CDATA[Local]]></category>
		<category><![CDATA[Metal]]></category>

		<guid isPermaLink="false">http://stylusmagazine.ca/?p=1044</guid>
		<description><![CDATA[By Kent Davies

War on Music isn’t just a label or a store. War on Music is a political movement. Much like Organic Planet Worker Co-Op or Mondragón Bookstore and Coffeehouse, the principles guiding the War on Music organization are that of participatory economics. Through a committee structure there are no bosses, no managerial hierarchy and [...]]]></description>
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		<title>Pip Skid &#8211; Fake Blood, Real Beats</title>
		<link>http://stylusmagazine.ca/archives/1067</link>
		<comments>http://stylusmagazine.ca/archives/1067#comments</comments>
		<pubDate>Thu, 03 Jun 2010 15:35:24 +0000</pubDate>
		<dc:creator>Jenny</dc:creator>
				<category><![CDATA[FEATURES]]></category>
		<category><![CDATA[Hip Hop]]></category>
		<category><![CDATA[June/July2010]]></category>
		<category><![CDATA[Local]]></category>

		<guid isPermaLink="false">http://stylusmagazine.ca/?p=1067</guid>
		<description><![CDATA[By Sarah Petz

With a sound that is raw, honest and provocative, you wouldn’t expect that Pip Skid (a.k.a. Patrick Skene) grew up on the mean streets of the small prairie city of Brandon, Manitoba. Skene said growing up in Brandon was, like all small cities, challenging at times, but thinks that he and his other [...]]]></description>
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		<title>Review: The Lonely Vulcans &#8211; Night Date</title>
		<link>http://stylusmagazine.ca/archives/997</link>
		<comments>http://stylusmagazine.ca/archives/997#comments</comments>
		<pubDate>Thu, 03 Jun 2010 14:59:24 +0000</pubDate>
		<dc:creator>Jenny</dc:creator>
				<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[June/July2010]]></category>
		<category><![CDATA[Local]]></category>

		<guid isPermaLink="false">http://stylusmagazine.ca/?p=997</guid>
		<description><![CDATA[The key influence of the mostly-instrumental band is Santo &#38; Johnny’s “Sleepwalk,” which is, duh, a sleepy number. But that song and this album are far from lullabyes—they’re a real gentle form of rock and roll. But other than tracks which sound like the Lonely Vulcans’ patron saints, there’s much more to get excited about [...]]]></description>
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		<title>Review: Various Artists &#8211; Peg City Enterprise Vol. 2</title>
		<link>http://stylusmagazine.ca/archives/995</link>
		<comments>http://stylusmagazine.ca/archives/995#comments</comments>
		<pubDate>Thu, 03 Jun 2010 14:56:44 +0000</pubDate>
		<dc:creator>Jenny</dc:creator>
				<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[June/July2010]]></category>
		<category><![CDATA[Local]]></category>

		<guid isPermaLink="false">http://stylusmagazine.ca/?p=995</guid>
		<description><![CDATA[I’ve been hard on rap music in this magazine before. So before I begin this review, I need to make something clear: I do not hate rap music. I appreciate the skill that goes into rap, and the rhymes that many of these artists can come up with are great. I think that one of [...]]]></description>
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		<title>Review: Keith and Renée &#8211; Detours</title>
		<link>http://stylusmagazine.ca/archives/990</link>
		<comments>http://stylusmagazine.ca/archives/990#comments</comments>
		<pubDate>Thu, 03 Jun 2010 14:49:40 +0000</pubDate>
		<dc:creator>Jenny</dc:creator>
				<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[June/July2010]]></category>
		<category><![CDATA[Local]]></category>

		<guid isPermaLink="false">http://stylusmagazine.ca/?p=990</guid>
		<description><![CDATA[Despite being named as musical ambassadors for both Manitoba Homecoming 2010 and Free the Children’s Adopt a Village Program, Keith Macpherson and Renée Lamoureux have still managed to find to put together this polished album. Detours is the fourth full-length record from these homegrown prairie popsters, and it finds them offering up a brand-new assortment [...]]]></description>
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		<title>Review: The Idgets &#8211; New Is the New Old</title>
		<link>http://stylusmagazine.ca/archives/985</link>
		<comments>http://stylusmagazine.ca/archives/985#comments</comments>
		<pubDate>Thu, 03 Jun 2010 13:44:30 +0000</pubDate>
		<dc:creator>Jenny</dc:creator>
				<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[June/July2010]]></category>
		<category><![CDATA[Local]]></category>

		<guid isPermaLink="false">http://stylusmagazine.ca/?p=985</guid>
		<description><![CDATA[Shawn Bergen gets my respect. On the follow up album to 2007’s Come On EP, Bergen wrote every song, played almost every instrument, sang on every track and produced, mixed and recorded the album himself. New is the New Old features ten tracks, all firmly rooted in the alternative rock sound, and all of them [...]]]></description>
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		<title>Review: Tom Keenan &#8211; Romantic Fitness</title>
		<link>http://stylusmagazine.ca/archives/987</link>
		<comments>http://stylusmagazine.ca/archives/987#comments</comments>
		<pubDate>Wed, 26 May 2010 19:49:28 +0000</pubDate>
		<dc:creator>Jenny</dc:creator>
				<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[June/July2010]]></category>
		<category><![CDATA[Local]]></category>

		<guid isPermaLink="false">http://stylusmagazine.ca/?p=987</guid>
		<description><![CDATA[Actor/artist/drunkard Tom Keenan’s long-awaited solo debut is a dose of stark poetic folk-rock that tells tales of punch-ups at weddings and glue huffing criminal rampages. Similar to a folky version of the Eels, Keenan’s wonderfully dark lyrics complement the seemingly uplifting, light-hearted folk ballads. Standout tracks include: “Please Don’t Think Less of Me,” which deals [...]]]></description>
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		<title>Review: Boats &#8211; Cannonballs, Cannonballs</title>
		<link>http://stylusmagazine.ca/archives/982</link>
		<comments>http://stylusmagazine.ca/archives/982#comments</comments>
		<pubDate>Wed, 26 May 2010 19:44:21 +0000</pubDate>
		<dc:creator>Jenny</dc:creator>
				<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[June/July2010]]></category>
		<category><![CDATA[Local]]></category>

		<guid isPermaLink="false">http://stylusmagazine.ca/?p=982</guid>
		<description><![CDATA[The sophomore album from one of Winnipeg’s most fully-realized bands plays through like a Saturday-morning cartoon jamboree, with Mat Klachefsky’s high-pitched singing, fast-paced songs, and sing-alongs around every other corner. Most of Klachefsky’s lyrics either seem like they’re about growing up (“Haircuts for Everybody,” “Summercamp vs. the Fake Moustache Tree”) or they seem like they’re [...]]]></description>
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