After six years of radio silence (aside from live performances), Attica Riots finally released their second EP. Life’s a Sugar Pill dropped on December 9th of last year, and it doesn’t disappoint at all. It has the same upbeat, melancholy-ish vibe they are known for. Their new EP has five songs that are all lovely in their own ways, and I’m thrilled to have the pleasure of reviewing them all as my first article for Stylus.
Stylus (S): Your tour with Cadence Weapon kicks off here in Winnipeg at the new Sidestage venue. How are you feeling about it?
Brendan Grey (BG): I’m feeling great. I’m excited; I think we’re all very excited. It’s going to be great to get back to all these cities which we haven’t been to in quite some time. It’s going to be interesting to be supporting Cadence Weapon. So, yeah, we’re feeling good. The blades are sharp. We’ve had a good year up until now. I think we’re just really excited to play a show in Winnipeg and then play a show in these cities to which we’ve been, but haven’t been in a second, right? Hopefully reconnect with people that we know and/or know us and then connect with some folks who maybe haven’t had the chance to see us play yet.
Stylus (S): The deluxe version of your album Rollercoaster came out last month, and it’s about the internet, the ups and downs of it. What’s your relationship with the internet / social media right now?
Cadence Weapon (CW): Well, I have a complicated relationship with the internet right now. I feel like as an artist, you feel an obligation to use the technology because it’s the best way to reach people. But then every time you try to reach your audience, you’re getting throttled, you’re getting your reach blocked, and that frustration really inspired me to make this record. I consider it to be a bit of a love letter to the early internet. When I first started out, I first got my record deal from the internet, from just sending my tracks to random people and then posting on a blog and then record labels hitting me up. I feel like that kind of direct audience connection is much more difficult to have today. It’s like when you go on Instagram, you gotta jump through all these hoops. It’s that kind of thing. So, I feel like the album is really about the social media age we’re in right now and how we navigate it as artists and individuals.
The unknown is intimidating because, by definition, it’s unfamiliar. This can express itself as fear — either unfounded or rational — or alternatively, as fascination. Regardless, uncharted territory is worth exploring when there’s a choice, as one never knows what one might find. It’s easy to surround oneself with the recognizable and “safe.” But isn’t life more exciting when deliberately leaving room for surprise?
Some readers may well be scratching their heads right about now.
“Jason Tait, huh? Yeah, I recognize him. The drummer from Red Fisher and that other band — you know, the one with that song about Gump Worsley! Patrick Michalishyn, though: now where have I seen that name before?”
Try “one page ago,” on account of the above “CKUWho?” profile. In the interest of full transparency, I should mention that he did ask me to review his split tape, and I obliged. So let it be known — if you ask nicely enough and I have a spare evening, I’ll just do whatever you say. I’m easygoing and I crave the approval of others! (And on that note: if you have an album you’d like me to review, shoot me an email at assistanteditor@stylusmagazine.ca.)
The best experiences in life are the ones that come to you by chance.
I don’t know if I believe that—and, in fact, I probably don’t—but for the sake of argument, let’s say that’s true. Out of boredom and looking for something to write about, I went rooting around in the Bandcamp tags for “Winnipeg” and “experimental” until a recent-ish release leapt out at me.
On Sunday, July 14, I had the pleasure of interviewing local singer/songwriter Leith Ross at the Winnipeg Folk Festival. Ross had been busy all weekend with performances and workshops at the festival, and I was glad to finally find a moment to pick the indie-folk singer’s brain.
Owing to The Guess Who’s transformation from rock band into local institution, it’s easy to forget that Burton Cummings is not only a real person, but a real person who is still alive and making music.
Some music is best listened to while lying in the grass on a warm summer night. Local artist FONTINE’s indie-folk tracks certainly fit into this category, making it obvious why she was picked to perform in Assiniboine Park’s Summer Entertainment Series. This concert series featured local artists at the outdoor Lyric Theatre every Thursday and Sunday in July and August. FONTINE performed on August 25th, closing out the Sunday evening shows.
