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Album Review :: Ghost Woman :: Hindsight is 50/50

Ghost Woman Hindsight is 50/50 album cover. Read felt covered with angel and baby jesus porcelain decorations

by Mykhailo Vil’yamson

If it were possible to audio-capture the coldest brooding glare, the album Hindsight is 50/50 is what it would sound like. Thick with weighty bass notes, menacingly minor overtones, and steeped in echoey resonance, this is the third full-length project by Albertan musician Evan Uschenko in less than two years. However, the latest manifestation of Ghost Woman is no longer a solo undertaking, as Belgian drummer Ille van Dessel has joined him. As shared at the end of last year via Dine Alone Records, Uschenko conveyed that this project “finally captures the true nature of the band” – and its tracks. Whereas the past few releases sound like a foray into 1970s reminiscence, Hindsight is 50/50 forges ahead into new sonic territory.

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Concert Review :: Another Place

An evening of trans + queer sound art and poetry (October 1 @ aceartinc.)

by maggie astrid clark
photos by derek brueckner

As evidenced by September’s so-called “1 Million March 4 Children” and by recent legislation in Saskatchewan and New Brunswick, we are living through a time of escalating fascist rhetoric against trans people and related political efforts to strip the most vulnerable of us of access to safe medical and social transitions. Amidst a backdrop of great uncertainty for the future of our communities, it was truly refreshing to attend an evening of Two Spirit, trans, and queer sound art and poetry at aceartinc. (206 Princess St.) on October 1.

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Album Review :: Paige Drobot :: The Psychics Album

album cover of Paige Drobot older woman in a yellow checker dress stands on the side of a country road or highway gesturing at a large metal eyeball looking thing

by Mykhailo Vil’yamson

The first full-length album by Paige Drobot is a veritable time machine, but not only because of its largely 70s-inspired aesthetic. She definitely took her time on this one, as all of the songs on the project first came into existence many years ago with her band, The Psychics. In fact, all of the songs on The Psychics–except for “Each Another’s Creation”–can be found on the 2016 release Live at the Graffiti Gallery, which was captured on the fourth anniversary of the original band’s formation, bringing us all the way back to 2012.

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CKUW Puts the “Fun” in Fundraiser

*from last year as we gear up for Fundrive 2024!*

Words by Rish Hanco
Photos by Kat Kolesar 

Friends and supporters of local “campus and community” radio station CKUW (95.9 FM) came out to the Good Will Social Club on Thursday, March 30 to wrap up the annual pledge drive in support of keeping CKUW listener-driven and free of paid advertising. It was an intimate gathering and a great opportunity not only to support the continued work of CKUW and its in-house music magazine, Stylus Magazine, but for the staff and volunteers to celebrate that work. 

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Album Review :: Now and Again :: VVonder

Wonder stylised as VVonder, Now and again album cover psychedelic wires surrounded by pictures of parts of a person.

By Niqui Lampa

VVonder is a rock band born out of a noteworthy musical tie in Canada. A veritable mixture of the best local talent the heart of Winnipeg has to offer, this band consistently guarantees and lives up to soulful and highly entertaining rock music that resembles the early ’70s and late ’60s. VVoner takes the listeners on an existential journey throughout their new album Now And Again.

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Space Jam: Living Hour

The jam space. Instruments everywhere, cute carpet and sound pannels on the wall with gauzy curtains

by Steph Kolodka

Living Hour is a Winnipeg-based indie band that has been around for almost a decade, and with the group having been in various jam spaces over the years, it was a pleasure to see their current setup in a beautiful living room in the heart of Osborne, filled with natural sunlight. Living Hour consists of members Sam Sarty, Gilad Carroll, Adam Soloway, and Brett Ticzon. It was through his links in the music scene that Carroll found Sam Sarty, who became the singer for Living Hour. Other members of the band, Adam Soloway and Brett Ticzon, were long-time friends with Carroll and visit the space regularly to write songs and jam.

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